Hip Hops Effect On Youth In Lagos

pelvic girdle skims Effect On Youth In LagosMusic is the art of organizing tones in a coherent sequenceso as to produce a unified and continual composition. Vocal or instru custodytal sounds possessing rhythm, melody, and harmony.The Ameri stern Heritold age dictionary. Music is a kind of counting performed by the mind without knowing that it is counting, The Monadology (1714) A manner of employing the mind without the labour of thinking at all.Samuel Johnson, quoted by Bos nearly, Journal of a Tour to the Hebrides(1785). Music is work.John Cage, Empty Words (1980)A piece of unison is exactly a chunk of time you argon paying attention to withyour ears.Barney Childs, quote in Ewen, American Composers (1982)According to Tafui ,Hip Hop is a cultural act expressed through the traditional elements of deejaying , emceeing, various forms of dance (breaking, popping, locking) and writing (graffiti art). As a culture, pelvic arch skitter represents different aspects of culture as well such as language, style of dress, politics. Marcus.PHip skip over is life.marcus parker. Hip hop medicament is a culture which break jump ,graffiti writing , DJing, calamityping apprisal and fashion is used as a means to express granting immunity from oppressive tender conditions. Hip hop medication was formed from benignant transcendence as a result of the creative instinct by African Americans as a result of social oppression on the African American, Latin American and afro Caribbean 1970s communities in New York urban center. A famous DJ at the time DJAfrika Bambaataa defined that defined the five pillars of renal pelvis hop culture MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include circle boxing, hip to(predicate) hop fashion, and slang. Since first Since first emerging in the Bronx, the life-style of hip hop culture has spread around the world. Robert M, Sr.When hip hop euphony began to emerge, it was based around disc jock eys who earnd rhythmic beat out by looping breaks (small portions of songs emphasizing a percussive pattern) on dickens turntables, which is now more(prenominal) commonly referred to as sampling. This was former(a)r accompanied by rapping and beat boxing. Garofalo.R. An original style of leaping and particular styles of dress arose among following of this new music. These elements experienced considerable refinement and development over the line of credit of the history of the cultureRobert M, Sr.One of these refinements was the birth of Gangsta rap.According to Marcus.P Gangsta rap is a persona of hip hop which focuses in general on the negative aspects of inner city life. The lyrics practi environy glorify criminal activity and degrade women. This genre of tap has been a source of tremendous controversy and is often cited as the elbow grease of the increase in violence. This is particularly true amongst black youth. According to federal statistics cited by the Charlott esville Daily Progress, homicide is the leading cause of death for black men between the ages of 15 and 34.Many gangsta blame artists reasonableify their music by claiming they be only retelling the experiences of their lives on the streets. However, close analysis of the song lyrics often reveals a plethora of curse words and no substance. According to commentators such as those found on Urban Dictionary.com, many artists bring been forced to create artificial gangsta images for the sake of a lucrative c atomic number 18er. Many young pile idolize these artists and imitate their behavior. Joanna White-Oldham.This ongoing fever for hip hop music amongst the youth began to spread over the globe to other countries like China, Canada, and the linked kindom and other parts of Africa.Hip hop music arrived in Cuba via radio set and TV broadcasts from Miami. During the 1980s hip hop culture in Cuba was mainly centred around breakdancing Fairley J .Initially hip hop was criticized no t scantily by the government, but by many in the community as well. With raperos emulating US rappers aggressive posturing and lyrical content, hip hop was seen as just another(prenominal) cultural invasion from the US, bringing with it the violence and problems of the ghettos. Fairley J. Cuban rappers attacked social and political issues concerning Cuba such as racism, class struggles and police harassment etcetera But as pressure for commercial success increases, many of the rat roots artists do not under stem the recent change of rapping rough partying, cars, and women . Pacini.H, Deborah and Garofalo.R . blame in the United States started out as a phonation of protest, an alternative voice for urban, inner-city youth to voice their grievances, to blether round their animateness conditions, their hopes and aspirations, said Abiodun, a shargon of the Black Liberation Party earlier fleeing to Cuba 14 years ago as a U.S. fugitive lining racketeering charges. Nancy D.But now what we see in terms of rap in the United States, for the most part, its trustworthyly not talking about anything. Also according to Baker, Geoffrey 2005,many criticize the objectification of females in the dancing and in videos. several(prenominal) see it as dominant if the women dance in front of the men in a doggy style position, but critics see it as a carriage of letting the male take initial conquer over the female. Also many argue that the females in those music videos are objectifying themselves to seem lower than men. Wunderlich, Annelise 2006 . According to B.Geoffrey Music videos are becoming more explicit. To gain a following of their music, Cuban hip hop artists are continuously using provocatively dressed females. This sexual image in their videos is taking away from the audiences ability to actually listen to the lyrics and understand them. The lyrics beingness addressed recently by Cuban hip hop artists stand as a rebellion against the many downfalls, such as privation and racism, that their nation is currently fighting Baker, Geoffrey.Sexually-charged dancing (like grinding and doggy style) often associated with hip-hop, are not the only things criticized. In recent years, Hip-hop has merged with Cuban culture to the point it can be heard in parades, school dances, and friendships. This has given rise to the problem of children, 16 or younger, hearing and singing the lyrics found in Cuban hip-hopwhich often stick character to sexual activities. Baker, Geoffrey. 2006.According to Chris Kehinde Nwandu , Hip hop in Nigeria dates back to the late eighties and early nineties. Groups and solo artists during that period include the likes of Junior Pretty, Daniel ,Danny Wilson , Plantashun Boyz , Remedies with members Eedris Abdulkareem , course Remedy Tony Tetuila.It is estimated that 80-percent of urban youth can be reached through Hip-Hop, which encompasses rap, graffiti, dancing and fashionThe late 90s and the 2000s saw a pecu liar increase of artists and groups like Eldee da Don of Freestyle , Ikechuku, JJC and the 419 squad , Dbanj and P-Square became a part of mainstream Nigerian music later on the collapse of pop trends like Yo-pop . The availability of computers and cheap music redact software in the late 1990s and the 2000s enabled Nigerian musicians to achieve high quality recordings, which quickly won over the Nigerian audience. As Nigerias Nollywood movies have done to westerly movies, Nigerian hip hop has begun to displace Western popular music. Nwandu k. As the Great Music Debate (launched by The guardianLIFE in the aftermath of the wide and wild debate generated by the article, A Nations indistinguishability Crisis of renowned columnist and public commentator, Dr Reuben Abati in his column, CrossRoads in The Guardian on Sunday, June 21), enters its third week, some(prenominal) Nigerian artistes have expressed their feel on the lyrical contents of Nigerian hip-hop songs. Though with seve ral(predicate) responses, yet, a good number of them contend that despite the fame and wealth that some of the artistes have been amassing through their works, many of the songs ruling the airwaves or the public delight circuit, are deficient in quality lyrics and have have subaltern or no lesson for the listeners. Chris Kehinde Nwandu.The GuardianLIFE sent email and sms messages to a collection of the artistes including Djinee, Ruggedman, take for granted Art Alade, TY Bello, NoMoreLoss, J.Martins, IlBliss, Ashioye Ugbo, PSquare, Timi Dakolo, Keffee among others. Out of the list of about 20, however, only a hardly a(prenominal) responded and their views were recorded as followsPopularly known for his song, No Vernacular, Lagos Jump, Omo Wale among others, the dreadlocks-wearing half-German quizzes, how can you have fuel shortage, bad roads, Niger Delta crisis, children being accused of sorcery in the South-South, Haliburton scandals and you are busy talking Moet, girls and blin gz? BY CHUKS NWANNE. According the new talk of the town, Bracket , The lyrics of Nigerian musicians are in reality is more real than fiction because they reflect the day to day experience of the artistes.I, Lara George, an ex member of the famous KUSH states, Our lyrics as Nigerian musicians need to be improved upon and not destroyed. Instead of looking for monetary satisfaction that could be destructive and past building NGOs to fix the damage done we need to use our music to leave a legacy that will help improve the way we are viewed by the rest of the world.Lara, who is no doubt one of the outflank female vocalists in the country for now, adds, We need to perpetuate solid determine in our own environment and grow the psyche of the man on the street in a positive way. She won the Best egg-producing(prenominal) Vocalist at the Nigerian Music Award in Owerri, Imo State. Her songs such as Ijoba Orun, Rest Of My Life and others made noticeable impact in the music jibe. CHUKS NWA NNE.In an atempt to defend todays music Etcetera Ejikeme said At moment, you can broadly classify Nigerian artistes into two what Ill call the mainstream and the alternative. For most of the mainstream artistes, lyrics are the last thing on their minds basically they just want to pee anything that the youth can dance to. The only take exception is that we all dont dance 24/7. So, its within those quiet moments, when you reflect on the lyrics of a song youve been dancing to for months that you suddenly realise how totally jab and sometimes senseless it is. Ectcetera also added on the Babaekos Xtreme Music that For the alternative youth, these are serious musicians, who understand that a lot of artsmanship must go into making a piece of music. They generally have more backbreaking lyrics that grab the imagination of the listeners.The good news however is that the Nigerian music listeners are very sophisticated they are beginning to ask probe questions, demanding for quality mus ic. This is the point where real musicians will be separated from charlatans. both the way from the US, Emma Agu, one of the founding members of Performing Musicians Employers Association of Nigeria, PMAN, acknowledged the speedy growth of the countrys music industry, but faulted the lyrics of some of the artistes. Chris Kehinde Nwandu. There is a remarkable improvement in the audio and video presentation, but the industry cool off has a long way to go, when it comes to the lyrical contents of the vibes legal age of these boys are churning out. Did you hear Tu-Faces Its time to have sex? I think that was disgusting Time and time again, I try to make out what some of these hip-pop guys are saying I barely could ginger nut a word out of their vibes. Most of their lyrics do not make sense.BY CHUKS NWANNEDays are gone when you go to a nite bludgeons and dance to American beats from dusk till dawn without complaining. Those days of Shaba Ranks, Patra, Buster Rhymes, Chakademus Plie rs, 2Pac, Shagy these artist ruled the countrys music industry for long, and we had no option than to love them. No option Those days, it was like a taboo to play a Nigerian song or video on air. A radio rate was make up so audacious as to decree that no Nigerian music except Fela will grace its air.CHUKS NWANNE . Nowadays things have changed as the Nigerian music is being heard more than even the exotic ones. The Nigerian acts have grown so big that even the strange musician coolaborate with them to to make new music. Hip-hop has also plow an legal tool to communicate with youth under siege, using the language they understand. fond consciousness hip-hop workers have used the microphone and their message to spill the beans to the youth about crime, drugs and have conducted workshops in town halls addressing the youth about the dangers of dangerous living.Marcus P.But critically studied, much of the music coming from the artistes these days, curiously the male folks, is shal low and meaningless in lyrical content, beats and composition. If the singers are not rasping about sex or some other lewd subjects it will be about how many women they have ranked or dated or jilted or about 419 and relate issues or what they call beefing (abusing perceived enemies). Once an artiste sings about money, everybody follows. Then another sings about sex, and the rest will file in. The beefing has in fact become an industry, much in the light of the eighies rash of abusive songs by the fuji musicians, who now in their late 60s and burnished with the wisdom that comes with old age (?) must be regretting those dirty words they were trading with their opponents on the scene then. Kuti.S .The President of Professional Musicians Association of Nigeria, Agu admits however, I hear good music from Nigeria well produced music, beautiful vocals with good melody, fantastic bass line, distinct hook drum, hi-hat and trebling kicks, good harmony, nicely mixed and mastered, but ly rically empty.Hip-hop has gone beyond being just about music, but has actually become a brand, a lifestyle and an urban culture that almost everybody aspires to be associated with even big corporate. It is on this note that inevitably the rapper is now more than a musician but has become an entrepreneur that utilizes his or her craft to sell global brands of big corporations. Rappers are trendsetters where they lead others follow. They can revitalize a luxury brand by making it seem untried and individualistic.It is estimated that 80-percent of urban youth in lagos can be reached through Hip-Hop, which encompasses rap, graffiti, dancing and fashion The Guardian Life magazine. According to Murray Forman, professor of media studies at northeast University in Boston. To say there is no influence and no picture by hip hop music is nave..REFRENCEBasu.D , Sidney J, Wunderlich, (2006) Cuban Hip-hop reservation Space for New Voices of Dissent. In The Vinyl Aint Final Hip Hop and the Gl obalization of Black Popular Culture capital of the United Kingdom Ann Arbor, MI infernal region Press,Pacini.H, Deborah and Garofalo.R, 2004.The emergence of Rap Cubano An historical perspective. .BurlingtonVt. Ashgate press.Wunderlich, Annelise Cuban Hip-hop Making Space for New Voices of Dissent, The Vinyl Aint Final Hip Hop a2006 Pluto Press Basu, D and Lemelle.S 2006 ,the Globalization of Black Popular Culture London Pluto Pres page 168.Pacini.H, Deborah and Garofalo.R. 2004. The emergence of rap Cubano An historicalperspective. In Music, Space, and Place, Ashgate, .pressWEBSITEShttp//books.google.com/books?id=KrVuuaB4jAQCHYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1pg=PA276HYPERLINK http//books.googl e.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1lpg=PA276HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1dq=club+la+mona+hip+hop+cubaHYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1source=we bHYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1ots=y44TtRgw_4HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1HYPERLINK http//books.google.com/books?id=KrVuuaB4jAQCpg=PA276lpg=PA276dq=club+la+mona+hip+hop+cubasource=webots=y44TtRgw_4sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1sig=8qLyLDLPRCkK40e1ujf_-zseA2wPPA277,M1 22nd November 2009http//archives.cnn.com/2002/SHOWBIZ/Music/11/22/hln.hot.hit.cuban.hip.hop.htm 23rd November 2009https//moodle.brandeis.edu/file.php/3404/pdfs/baker-hip-hop-revolucion.pdf 22 nd November 2009http//www.cbsnews.com/stories/2004/10/04/entertainment/main647330.shtml 22 nd Nov ember 2009CNN.com Cuban hip-hop The rebellion within the revolution Nov. 25, 2002 20th November 2009http//en.wikipedia.org/wiki/Cuban_hip_hop 23 rd November 2009http//www.africanhiphop.com/africanhiphopradio/naija-nigerian-80s-rap-on-vinyl/ 23 rd November 2009http//theguardianlifemagazine.blogspot.com/2009/08/great-music-debate-3-hip-hop-in-eyes-of.html 23 rd November 2009http//daniellamaison.blogspot.com/ 23rd November 2009http//www.naijajams.com/thoughts-on-the-nigerian-hip-hop-scene-part-1 23rd November 2009http//allafrica.com/stories/200911270165.html 25th November 2009http//findarticles.com/p/articles/mi_m1355/is_26_98/ai_68018839/ 25th November 2009http//fulbright.mtvu.com/melissaadams/2009/11/13/why-hip-hop/ 24th November 2009http//www.city-journal.org/html/13_3_how_hip_hop.html 24th November 2009https//www.youthmesh.org/wiki/index.php/Nigeria 24th November 2009http//www.facebook.com/note.php?note_id=110966339114 23rd November 2009