Dickens on the Battle of Love and Marriage

Question\nTo what extent does fiend inaugurate love and matrimony as a action in Oliver Twist  with abduce to Wuthering Heights?\n\nResponse \n fiend presents love and marriage as a employment as status, deceitfulness, violence and hatred. Love is visualized as a employment as male and egg-producing(prenominal) kins were based on complaisant and fiscal profit sort of than affection and c be. He presents the battle through his contrasting grapheme pairings and the negative language used. daemon shows loves in a daedal way he premier shows it as a business, for financial and status benefit, he besides shows love and marriage as romanticized; displaying that battling for love is worthwhile. The main points of this search are the partnerships of Bill and Nancy, Agnes and Mr Leeford, Mr violate and Mrs Corney in like manner Harry and Rose.\nIn some ways, devil does present love and marriage as a battle. This is shown in Sikes and Nancys descent as it is based on deceit and violence. The quote, Ill split your skull against the wall,  shows how their consanguinity was filled threats and was a perpetual battle for Nancy to have any(prenominal) form of affection. The way Dickens organised the sassy build up to Nancys death was to get out Sikes more gravid tight the climax of the novel. This quote also foreshadows Nancys death. This type of kind was non uncommon in the victorian period; wife defeat was prominent occurrence in Victorian times. It was socially pleasant and may have been seen as a characteristic of the subvert class but home(prenominal) violence was prevalent in all classes. Even though the general audience of the novel say Sikes is a threatening brute, others say they feel liberality for Sikes as his threats and cursing are almost like one and only(a) of a pantomime characters. Sikes and Nancys relationship is very(prenominal) similar to Heathcliffs and Isabellas relationship as he is very abusive towards her. Sikess and Heathcliffs abuse is physical, fashioning the characters of ...